About Me

BRIT school and Fourth Monkey trained yorkshire female theatre graduate

Acting

Experience

Accents

Employment History & Experience

Year - Role - Production - Company - Director (most recent)

2016- Show host/ leader - From the ground up - Almeida theatre - Christopher Elmer-Gorry
2016 - The bloody countess - The bloody countess - Fourth Monkey Theatre Company - Tom Espiner
2015 - Techelles - Tamburlaine - Fourth Monkey Theatre Company - Steve Green
2014 - Diomedes - Rhesus - Fourth Monkey Theatre Company - Ailin Conant

Music

Experience

Vocal Skills

Instruments Played

Employment History & Experience

2016 - The bloody countess - The bloody countess - Fourth Monkey Theatre Company - Tom Espiner - Accordion
2016 - Hellcats - Mother - Fourth Monkey Theatre Company - Steve Harper - Accordion

Dancing

Experience

Dance Skills

Employment History & Experience

Dancing experience in most shows listed above. My training had a strong emphasis on movement and dace as a means to tell stories and devise work, so dance and movement is a skill I use in all work I create and that I am in.

Languages Spoken

Experience & Qualifications

General Experience

BASSC- (2014) achieved a pass in unarmed combat and in rapier and dagger

Musicality: Singing accapello, jazz vocals, perfect pitch, piano accordion.

Sport: Horse riding, swimming, Athletics, Jazz dance, ballroom dance, contemporary dance, movement/ physical theatre capoeira.

Accents: Leeds, Sheffield, Broad Yorkshire, RP, Edinburgh Scottish, General American, multicultural London English.

Qualifications & Training

Fourth Monkey Two-Year Rep Actor Training Programme 2013-2015- Full time repertory ensemble theatre training, specialising in physical theatre and movement techniques to create work to tour.

'The International School of the Comic Actor’ Trained in Italy by Antonio Fava.

BRIT School- BTEC national level 3 extended diploma in performing arts 2011-2013 studying and working with practitioners to strengthen all areas of performance.

National Youth Theatre 2009– Full time course with a strong emphasis on brook’s and le coq’s devising techniques to create ensemble site specific work.