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Cloth is a series of photographic portraits that construct a fictionalised account of life in the United States armed forces, focusing on four of the five branches: the United States Army, the United States Navy, the United States Air Force and the United States Marine Corps. Cloth adopts the construction methods of Hollywood cinema utilising actors, props, and sets to construct meaning, framing these devices within the mode of the general practice photographer. In essence, Cloth is an essay on technique it examines notions of lighting, composition, framing and mise-en-scène, synthesising these visual design elements with emulsion based technologies.

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